AOpen AX4GE Tube-G
Review by Harry Lam on 03.01.13
Motherboard provided by AOpen
Differences between the AX4B-533 Tube and AX4GE/PE Tube:
The design differences between the AX4B-533 Tube and the AX4GE Tube-G are readily visible in the pictures below. Both are based around a 2 channel amplification design, but there are differences in the components as well as in the circuit itself.
The daughterboard card for the TubeSound motherboards has changed significantly from the AX4B-533 Tube to the AX4GE Tube-G, with AOpen removing the headphone and SPDIF jacks on the daughterboard.
Differences between the AX4B-533 and AX4GE/PE Tube (ripped from AOpen's website, and formatted to fit TWL):
|
AX4B-533 Tube |
AX4GE/PE Tube |
|
| Parts Quality | ||
| Multicap capacitor | Yes | Yes |
| WIMA capacitor | No | Yes |
| Vishay resistor | Yes | No (via 1% precision resistor) |
| Cardas wire | Yes | Yes |
| Kimber Kable wire | No | Yes |
| WBT connector (opt) | Yes | Yes |
| ELNA capacitor | Yes | No |
| Function | ||
| 6.3mm headphone jack | Yes | No |
| SPDIF in/out | Yes (On bracket) | Yes (Via expansion card) |
There is an entire segment on AOpen's R&D team that tweaked their TubeSound Amplification section of the AX4GE/PE TubeSound manual. It made a very interesting read, although it is a bit wordy for the less technically inclined.
This is AOpen's own internal results on the audio differences between the AX4B-533 Tube and the AX4GE/PE Tube. I for the most part agree with these results, although the audio differences weren't as drastic as between the codec outputs and the tube based outputs. Personally, the difference I noticed the most was that the AX4GE/PE did shine a lot more during trance music (which personally is my favorite genre of music) and was a tad bit weaker at classical (but not very significantly).
|
AX4B-533 Tube |
AX4GE/PE Tube |
|
| Audio Characteristics | ||
| Music Resolution | Near Excellent (9/10) | Excellent (9.5/10) |
| Treble | Excellent (warm bright and edgeless) | Excellent (bright and clean) |
| Mid | Excellent (warm and emotional) | Near Excellent (warm and soft) |
| Bass | Excellent (round, deep, and well-textured) | Near excellent bounce and well-textured |
| Sound Stage | Wide (9/10) | Wide (8/10) |
| Positioning | Excellent (9.5/10) | Near Excellent (8.5/10) |
| Music Type | Jazz (vocal) | Pop |
| (best for) | Trio, quartet... septet | Rock |
| Small studio presentation | Jazz (General) | |
| Small chamber presentation | New Age | |
| Well-recording pop | ||
| Well-recording classical | ||
| Music Instruments | String (Guitar, cello, violin, bass, double bass) | String (Guitar Violin) |
| (best for) | Wind (saxophone, French horn, trumpet) | Wind (saxophone) |
| Piano | Piano | |
| Electronic Synthesizer |
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